The Macklemore Dilemma

Macklemore

Macklemore

Over the past couple of months or really this past year Macklemore has been in the forefront of music when it comes to “music consciousness”. Specifically, in reference to gay rights and the seemingly prevalent story that Hip-Hop is anti-gay.

But issues arise on how society values the voice of an individual of the majority (the majority meaning white males) over individuals actually apart of the disadvantaged group. Let’s be real, historically the lesser voice has always has been perceived as needing help from the more willingly heard. But things shouldn’t be that way. It’s not Macklemore’s fault of course, in reality, he’s just trying to help. The question is whether his help is a hindrance or truly beneficial.

Angel Haze

Angel Haze

Macklemore has attained a stamp of approval from many, if not all, popular entities or individuals of the gay community. If I remember correctly and I might not be (I prefer to write from memory) he’s been praised by the Human Rights CouncilGLAAD and our favorite gay godmother Ellen Degeneres. The exposure, it’s been lovely. But why oh why, can’t we just listen to the voices who are the voices. Why can’t we do that? Artists like Angel HazeMykki BlancoBig FreediaZebra Katz and Le1f (who had a lot to say about Macklemore’s privilege as a straight white male). Each whose message if heard and respected properly would have been more prolific in meaning than a white man who can try but never truly understand. In fact Angel Haze did a remix of Macklemore’s Same Love, I felt her remix in a way I could never feel about the original.

Mykki Blanco

Mykki Blanco

Another point I wanted to hit on is the promotion that Hip-Hop ain’t sh!t, that Hip-Hop can’t handle diversity. If Hip-Hop couldn’t handle diversity then Eminem wouldn’t have became Eminem no matter how good he is. If Hip-Hop couldn’t handle diversity then Queen Latifah, Lil Kim, or even Nicki Minaj wouldn’t be who they are. Of course there are still hurdles, but there are still hurdles in every aspect of life that have yet to be overcome. In many ways, Macklemore song was just opportunistic, a way to capitalize on a message that I feel the Hip-Hop community wasn’t even sure it needed to give at that point. That is not to say that Macklemore is just trying to capitalize on black culture (he could be but I have no right to say so).

All of this could be talked into the ground and talked around and talked over. But my point in all of this is that music of the people should be by the people and as eye-opening as Same Love was for many it was only eye-opening because the message came from a straight white male. It should be heartbreaking that the supposed need for a white savior is still prevalent today.

I just want to leave it at that.

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Maverick Sabre “Emotion (Ain’t Nobody)”

“Emotion (Ain’t Nobody)” is the second single off of Maverick Sabre‘s soon to be released second album. Check out the video below and see if you can guess where the chorus line “ain’t nobody” originally came from.

 

 

If you guessed Chaka Khan’s “Ain’t Nobody” you are on it.

 

 

Maverick Sabre has been on a 2 year hiatus and if this is a prediction of the music to come then this upcoming album will definitely reach heights his Lonely Are The Brave didn’t, (especially in the US).

 

Check out dwfmedia

Cozz “Dreams” and “I Need That”

The local LA homie Cozz released this track in early March. Within a week this video went from under a 1oo views to about 27,000 views. The video has lost some of its traction since its early release but we wanted to share it again and give it some new looks.

Cozz has also released his track titled “I Need That”.

 

We’ll keep ya’ll up to date on when the mixtape will be released.

Thanks to 2dopeboyz.com and passionweiss.com

Little Dragon’s Nabuma Rubberband

After looking at several different reviews of Little Dragon’s Nabuma Rubberband, it was difficult to figure out whether this review would be out of the ordinary. Pitchfork did not seem to like the album beyond a score of 6.8 and many other music websites had reviews all over the place. But after listening to this album consistently for the past week, it is easy to see why this album is so polarizing.

This album is very much reminiscent of Alt-J’s An Awesome Wave, even though the overall sounds are different, they share that awkward blend of genres that you don’t expect to work but for some listeners clearly do. In Nabuma Rubberband, you can find essences of trip-hop, American pop, R&B and neo-soul which combine to make this funky sound with slight references to the bands Swedish origin.

Yukimi Nagano voice is crisp and as you traverse through the different songs of the album, her voice is the guiding light through it all. 

Tracks from the album that were very attention grabbing include “Let Go”, “Pretty Girl” and “Klapp Klapp”.

Check out popmatters.com

Album Rate 7.9/10

Video

New Music Nicki Minaj “Pills N Potion”

Nicki Minaj, after releasing several hard hitting hip-hop oriented singles from her upcoming album The Pink Print, has shared the single “Pills N Potions”. This single is proof enough that Minaj can manage her hip-hop origins with popular music.

One of my favorite lines from “Pills N Potions”

All the bridges you came over, don’t burn that yet
Niggas want respect, but niggas ain’t earned that yet

Definitely check out this track. In the past, I have not always been a fan of the Minaj, but with the release of this track as well as “Lookin Ass” and “Yasss Bish” The Pink Print is an album to be excited for.

Shout Out to Stereogum.com